Here are the top search terms used by people to view this here blog:

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I think it’s because of this image that appeared here several months ago:

A Gentle Watercolor Depicts the Sex Act of Pegging

A Gentle Watercolor Depicts the Sex Act of Pegging

What perplexes me is that I posted the above image (from Wikipedia, no less) months ago and just now people are discovering it? I might be disturbed, but frankly I love attention of any kind. So bring it on, you dildo-crazed fuckers.

This video, which YouTube has recommended for me, instructs the fashion layperson as to how one should wear harem pants. You know, because this is something we all should know.

Now, I have no real opinion about harem pants, except that they are for whores. Filthy whores, who lay about on pillows mopping jizz stains from their bodices and applying layer upon layer of frosted lipstick. I do, however, have an opinion about motel furniture and depressing bedspreads and, maybe, this little miss should be more attentive to her home and less eager to mention her 22″ waist.

Kinda dusty in here.

Right now there’s a lovely breeze blowing in from the east. I’m in my bedroom, watching Amadeus and drinking this wickedly cheap wine my mother left in my fridge when she was here last week. I’m drinking it iced, if that should reveal how wicked it is. Still, twelve dollars American for a large bottle? Boucheron me ASAP.

Salieri has just ordered a servant to see Frau Mozart out of his house. She is half-naked and under the impression that sleeping with him will secure an appointment for her husband to teach music to the Emperor’s niece. It’s the directors cut. I find the scene vexing because when I saw the movie for the first time (I was ten or so) I felt strangely sympathetic for poor Salieri, the loser with the sweet tooth and acne scars. This flesh peddle of a married woman makes him seem seedy and therefore not exactly worthy of the affection of a twelve year-old.

Oh, look! Here’s a lovely bit from The Magic Flute!

It’s the Queen of the Night demanding vengeance, I think. She’d do just as well with some Boucheron on ice, probably.

Because I don’t want to bother you with my idiocy when I don’t have anything revelatory to say, I’m just going to put this here and you can come across it when today’s miserable outcome seems less like a wound recently created. I’m sorry. It sucks. He was a good guy, with his crinkle tube and catnip banana and eyeliner. You did him a good turn, Molls, and kept him going and comfortable and, when it turned, you made the right call.

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So, um, yes, here’s some Lorrie Moore:

Early Christmas morning, she woke Sofie and dressed her warmly in her snowsuit. There was a light snow on the ground and a wind blew powdery gusts around the yard. “We’re going to say good-bye to Bert,” said Aileen.

“Oh, Bert!” said Sofie, and she began to cry.

“No, it’ll be happy!” said Aileen, feeling the pink-posied tin in her jacket pocket. “He wants to go out. Do you remember how he used to want to go out? How he would mee-ow at the door and then we would let him go out?”

“Mee-ow, mee-ow,” said Sofie.

“Right,” said Aileen. “So that’s what we’re going to do now.”

“Will he be with Santa Claus?”

“Yes! He’ll be with Santa Claus!”

They stepped outside, down off the porch steps. Aileen pried open the tin. Inside, there was a small plastic bag and she tore that open. Inside was Bert: a pebbly ash like the sand and ground shells of a beach. Summer in December! What was Christmas if not a giant mixed metaphor? What was it about if not the mystery of interspecies love — God’s for man! Love had sought a chasm to leap across and landed itself right here: the Holy Ghost among the barn animals, the teacher’s pet sent to be adored then die. Aileen and Sofie each seized a fistful of Bert and ran around the yard, letting wind take the ash and scatter it. Chickadees flew from the trees. Frightened squirrels headed for the yard next door. In freeing Bert, perhaps they would become him a little: banish the interlopers, police the borders, then go back inside and play with decorations, claw at the gift wrap, eat the big headless bird.

“Merry Christmas to Bert!” Sofie shouted. The tin was now empty.

“Yes, Merry Christmas to Bert” said Aileen. She shoved the tin back into her pocket. Then she and Sofie raced back into the house, to get warm.

Jack was in the kitchen, standing by the stove, still in his pajamas. He was pouring orange juice and heating buns.

“Daddy, Merry Christmas to Bert!” Sofie popped open the snaps of her snowsuit.

“Yes,” said Jack, turning. “Merry Christmas to Bert!” He handed Sofie some juice, then Aileen. But before she drank hers, Aileen waited for him to say something else. He cleared his throat and stepped forward. He raised his glass. His large quizzical smile said, This is a very weird family. But instead, he exclaimed, “Merry Christmas to everyone in the whole wide world!” and let it go at that.

In case the total lack of posts on this here thing didn’t confirm that, my silence speaking for itself. I think I might start a blog of comments from other blogs. Or a blog of pictures of lawn decorations that look tortured or neglected. Maybe a blog about not blogging.

What I mean to say, people, is that I’m thinking about this thing. I’m thinking about a lot of things. This has been a summer of thoughts; thoughts about that woodchuck that wandered under a Prius in Brooklyn; about Robert Moses and Jones Beach and how both are ultimately second rate; about the semicolon and how I love it; about painting and curtains and shelf-hanging; about trips to Beacon that end on the side of the Grand Central Parkway then later in a tow truck talking about flesh and steel and the incompatability of the two; thoughts about the horrid denim that Europeans prefer; thoughts about Paula Poundstone and Orly Tainz; about Milan and Lafayette, New York; about pasta salad and New Jersey; thoughts about Doris Duke and rain and sweat and Wal Mart and feeling low or puppeted or wonderful or low and puppeted and wonderful and how, eventually, all these days here are composed of gentle and amusing terrors.

More to come. I promise (mostly myself). More to come.

Jesus, 37th Street Between 31st Avenue and Broadway, Astoria, Queens

Jesus, 37th Street Between 31st Avenue and Broadway, Astoria, Queens

I was walking from the bank to the cheap Mexican place on a new route today when I passed the house pictured below.

The sign reads, "Dear God, Please give us a new congress. This one is broken and corrupt. Amen"

The sign reads, "Dear God, Please give us a new congress. This one is broken and corrupt. Amen"

Yes, that is a teabag hanging below a sign imploring God for a new legislative branch. This assemblage is flanked by two American flags and the dessicated remains of a Palm Sunday frond. Here in Queens country, where last year 74% of voters cast their ballot for Barack Obama, we have a Teabagger. I will admit to being shocked at first, thinking this whole teabag phenomenon a construct for the flyover states to express latent racism and a means whereby a certain Australian billionaire can market a right wing tax scam as a grassroots movement. The shock passed quickly though, and I smiled, because the owners of this home were a special bunch. They were stridently buying the wrong narrative and in doing so had inadvertently created a touching symbol of the modern Republican party.

Think about it. The two flags, patriotic and aggressively so. Almost insisting that by quantity, their patriotism is stronger and better than yours.  The palm frond, dried almost beyond recognition, a sad and not at all genuine religious gesture. The cheaper-than-cheap motel curtains, pulled tight against the world, asserting their lack of welcome or fear of what’s outside, or most likely both. The sign itself, a plea to God but one directed at the street, as if that were a natural place for supplication from above. Finally, the tea bag, a hilarious malapropism, a clear indication that the vernacular you’re speaking is forty years past.

I’ll admit to feeling weird about taking the picture, because I knew I was going to be mean about it. But sort of like a kid that pounds on the glass until the lions become enraged at the zoo, I couldn’t help myself. And walking home, I had that feeling you get upon leaving that zoo. Yes, the animals were strange and wonderful – unbelievable, really! – but it’s sad that they live in cages in such close proximity to their own filth and far from the places that usually harbor them.

The phrase the aggressive lesbianism of synchronized swimming just went through my head. I fear I won’t be able to use it too often.

And here is Sandra Lee and her famous Kwanzaa Cake Recipe. It looks like something Satan would force down your throat in hell as J. Edgar Hoover and the bad Lassie gnaw off your toes. Enjoy!

I know this whole ‘corner’ thing is getting needlessly complicated, but I love some needless complication.

First, the text message exchange. ‘M’ signifies my friend Matthew, who is a truly superior person. ‘J’ signifies me.

J: I’m very busy stepping in paint and showing passersby the top of my ass when I bend over. [Note: I was painting a bunch of stripes in a store window as part of a freelance job.]

M: Ur ass is good for business!

J:  Ha! How much is that ass in the window?

M: I’m sure it ain’t for sale….:(

J: I am off the market, again.

M: Yeah, till ur not.

J: Yes. Till I’m not. I’m sure I’ll flail around again and fail. A complicated series of flailing and failing.

And now the video clip. From the Talking Heads, Once in a Lifetime.